Nirvana – Smells Like Teen Spirit

“Smells Like Teen Spirit” is a song by the American rock band Nirvana. It is the opening track and lead single from the band’s second album, Nevermind (1991), released on DGC Records. Written by Kurt Cobain, Krist Novoselic, and Dave Grohl and produced by Butch Vig, the song uses a verse-chorus form where the main four-chord riff is used during the intro and chorus to create an alternating loud and quiet dynamic.

The unexpected success of “Smells Like Teen Spirit” in late 1991 propelled Nevermind to the top of the charts at the start of 1992, an event often marked as the point where alternative rock entered the mainstream. “Smells Like Teen Spirit” was Nirvana’s biggest hit, reaching number six on the Billboard Hot 100 and placing high on music industry charts all around the world in 1991 and 1992.

Metallica – The Unforgiven

“The Unforgiven” is a power ballad by American heavy metal band Metallica. It was released as the second single from their eponymous fifth album Metallica. Though one of the slower tracks on the album, its chord progression is distinctly one of the heavier. The song deals with the theme of the struggle of the individual against the efforts of those who would subjugate him.

Massive Attack – Unfinished Sympathy

“Unfinished Sympathy” is a song by English trip hop group Massive Attack. Featuring vocals from British singer Shara Nelson, the song was released as the second single from the group’s debut studio album Blue Lines on 11 February 1991. The song – produced by Massive Attack and Jonny Dollar – incorporates various musical elements into its arrangement, including vocal and percussion samples, drum programming, and string orchestration by arranger Wil Malone. Upon release as a single, “Unfinished Sympathy” topped the Dutch Top 40 and became a top twenty hit on the singles charts of countries such as Switzerland and the United Kingdom.

The Commitments – Mustang Sally

“Mustang Sally” is an R&B song written and first recorded by Mack Rice in 1965. It gained greater popularity when Wilson Pickett covered it the following year on a single, a version also released on his 1966 album, The Wicked Pickett. The song featured prominently in the 1991 film The Commitments and appears on the film’s soundtrack album, as sung by Andrew Strong.